#The boss movie 2013 how to#
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Learning to deal with my stress away from work actually helps me creatively when I need it. I find myself burned out from overthinking and taking on too much at once.

#The boss movie 2013 how to#

I'm trying to learn how to have a better work/life balance. I'm probably facing the toughest part of my career at this moment. What’s the toughest thing you’ve had to face in your career and how did you overcome it? What advice do you have for aspiring filmmakers or content creators? He also has inspired me to discover my own editing style and to enjoy the process. He has so much creativity and wisdom - I tried to learn from him as much as I can about cutting creatively and how to navigate through this industry. My creative inspiration is my boss, Lucas Harger. Who is your creative inspiration and why? It's fun to experiment with different light flares and textures.

#The boss movie 2013 pro#

I love experimenting with different blend modes in Premiere Pro and After Effects to create amazing effects. My favorite tool that I love and that might not be used enough by others when working with video in the Creative Cloud is the blending tool. What’s your hidden gem/favorite workflow tip in Adobe Creative Cloud?

Whatever I highlight in the transcript, Premiere Pro will take me straight to that moment on the corresponding timeline as well. It's amazing to have interviews transcribed within Premiere Pro and be able to search by keywords. My favorite new tool right now is the Speech to Text capabilities. The convenience and the customization of Premiere Pro is why it's my favorite editing software. What do you like about Premiere Pro, and/or any of the other tools you used? I don't have to second guess where exactly clients would like for me to make changes.

They can easily place notes at a specific moment on a timeline. Yes, Frame.io is fantastic! It's most useful for me when gathering notes from directors and clients. It's the most footage I ever had to work with.ĭo you use Frame.io as part of your workflow? We had about 80 hours of footage shot by the directors and their crew, which doesn't include all the news footage we had to watch for the news montage sequence of the film. The biggest challenge we faced was figuring out how to tell a story in 30 minutes with TONS of footage. What were some specific post-production challenges you faced that were unique to your project? How did you go about solving them? This moment really displays her mental and physical toughness. Even though she's hardly had any sleep and her feet were killing her on this 450km journey, she didn't once think about giving up.

#The boss movie 2013 free#

One of my favorite moments of Free to Run is when the main subject of the film, Stephanie Case, is pushing through the toughest part of Tor des Glaciers. Tell us about a favorite scene or moment from this project and why it stands out to you. I'll mark and highlight as much as I can on my sequences.

I watch all the footage first before cutting, making sure I'm not missing out on any big or small moments. When I first begin a new project, I like to throw all my footage onto a timeline, splitting them up either by shoot days or topics. How do you begin a project/set up your workspace?

I completely switched over to Premiere Pro in 2013 after college. I first learned to edit my freshman year of college at Hollins University. How and where did you first learn to edit? Read on below as Jazzy shares her favorite Adobe Creative Cloud and Frame.io tools, as well as advice for aspiring filmmakers and tips for creating a healthier work-life balance - and check out the documentary below. With footage being shot in Afghanistan and Italy, and the production team living in different places around the globe, a cloud-based workflow was essential for ensuring content could be shared, reviewed, and updated quickly and easily. Louis-based editor Jazzy Kettenacker used Premiere Pro and Frame.io extensively to edit and share cuts for feedback. When the Taliban took over Afghanistan, Case worked to get her fellow organizers to safety - all while in the midst of training for the Tor de Glacier, where she would eventually place third overall. The North Face’s Free to Run with editor Jazzy Kettenackerįree to Run, a Dream Lens Media film released this month by The North Face, follows the incredible work of UN Human Rights attorney - and avid endurance trail runner - Stephanie Case, who worked with a women’s group in Kabul, Afghanistan to co-found an organization devoted to bringing visibility to women in regions of conflict and empowering women through adventure sports.